BIBLIOGRAPHY

2007

Peter Halley, exhibition catalogue, Waddington Galleries, London.
27th Biennial of Graphic Arts, exhibition catalogue, International Centre of Graphic Arts, Ljubljana, pp. 168-171.
Inal, Güseli, “Acid Colors & New Geometry: Peter Halley,” Artist actual, September, pp. 42-44.
Create Your Own Museum, exhibition catalogue, Gary Tatintsian Gallery, Moscow, pp. 91-94.
Klaasmeyer, Kelly, “Peter Halley: New Paintings,” The Houston Press, April 12.
Peter Halley: Paintings, exhibition catalogue, McClain Gallery, Houston.
Passion for Art: 35th Anniversary of the Essl Museum Collection, exhibition catalogue, p. 201, Edition Sammlung Essl, Vienna.
Houston, Joe and Dave Hickey. Optic Nerve: Perceptual Art of the 1960s, exhibition catalogue, Merrell, London. Cherix, Christophe and John Tremblay, Plastic: A Proposal of John Tremblay, exhibition catalogue, pp. 6, 8-11, Cabinet des Estampes, Geneva.
Wiehager, Renate and Claudia Seidel. Minimalism and After: Tradition and Tendencies of Minimalism from 1950 to the Present, exhibition catalogue, pp. 289-290, Hatje Cantz Verlag, Ostfildern, Germany.

2006

Peter Halley, 1995-2005, exhibition catalogue, Galerie Xippas, Athens.
Peter Halley, exhibition catalogue, Galerie Forsblom, Helsinki.
Danziger, Jo-Anne Birnie, ed., Villa Stuck, p. 366, Hatje Cantz Verlag, Ostfildern, Germany.
Idees de la Peinture: Hommage à Martin Barre, exhibition catalogue, pp. 32-33, Galerie Nathalie Obadia, Paris.
Baraz, Yahsi, “Peter Halley and the Turkish Collectors.” rh+san art. June, pp. 61-63.
Pop Art 1960s-2000s: From Lichtenstein, Warhol to the Current Generation. Seiji: Yomiuri Shimbum, Japan Association of Art Museums, 2006.
Erickson, Ruth ed. 30 Years of New Graphics From The Jewish Museum. Burlington: Burlington City Arts, 2006.
Cheetham, Mark A. Abstract Art Against Autonomy: Infection, Resistance, and Cure Since the 60s. New York: Cambridge University Press, 2006.
Grant, Daniel, “Halley’s Constellations.” Art Market section, ARTnews. April, Vol. 105, No. 4, p. 102.
Gorlenko, Anton, "Concrete Abstraction," Aficha. May, p. 133.
------, “Geo-Graphic.” A Priori, May, p. 130.
------, “CONTACT: Peter Halley,” Time Out Moscow. May 15, p. 89.
Bylinsky, Valery, “Squares by Peter Halley.” Leisure & Entertainment. May 18, p. 55, Moscow.
Spears, Dorothy. “The First Gallerists Club.” The New York Times. June 18, Late Edition, Section 2, p. 1.
Radio interview with Jim Baker, Anderson Ranch. Aspen Public Radio, March 2.

2005

Michlin, Spencer, “The Art of Flying.” American Way, July 15, p. 32.
Kostadinidi, Krista, "Peter Halley The Intellectual Painter of Abstraction." Estia, April 18, p. 7.
Gianousi, Natasa, "The Geometric Abstraction of Halley," Ethnos, April 17, pp. 16-17.
Maragou, Maria, "Skills." Eleftherotypia, April 11, p. 24.
Zenakos, Avgostinos, "My Paintings are Diagrams." To alo Vima in Vima, April 10, p. 38.
Sakalis, Phivos, "Geometries of Thought & Feeling." Gyneka, April, pp. 142 - 149.
Zenakos, Avgostinos, "Color in our Lives." Vimagasino in Vima, March 27, pp. 20-21.
Panagoulis, Stathis, "Samaras & Halley." Time Out Athens, March 31, p. 65.
Lacayo, Richard, “How Does 80’s Art Look Now?” Time Magazine, March 28, pp. 58-62.
Nomblot, Javier Rubio, “Celdas y cubículos arquitecónicos (Architectural Cells and Cubes).” Cultural, April 2, p. 30.
Fontavo, Rosario, “Peter Halley expone siete cuadros en dos galerías de Barcelona (Peter Halley Shows Seven Paintings at Two Galleries in Barcelona).” Interview. El Periódico, March 16, p. 71.
Cuesta, Elena, “Peter Halley trae a Barcelona su reflexión sobre la communicación entre los individuos (Peter Halley Shows his Reflection on the Communication Between Individuals in Barcelona).” El Mundo, March 16, p. 58.
Spiegel, Olga, “La pintura geométrica puede reflejar la sociedad de hoy (Abstract-Geometric Art can Reflect Today’s Society).” Interview. La Vanguardia, March 16, p. 44.
Porcel, Violant, “Un paraíso sin edén (A Paradise Without Eden).” La Vanguardia, May 4, p. 20.
Bosco, Roberta, “Peter Halley exhiba su obra en tres galerías españolas de forma simultánea (Peter Halley Simultaneously Shows his Work at Three Spanish Galleries).” El País, March 17, p. 33.
Hiromoto, Nobuyuki, ed. Contemporary Voice: The Contemporary American Art from the Misumi Collection. Tottori: Tottori Prefectural Museum, 2005.
Grachos, Louis and Claire Shcneider. Extreme Abstraction. Buffalo: Albright-Knox Art Gallery, 2005.
Meinhardt, Johannes, ed. Pintura: Abstracção Depois da Abstracção. Portugal: Coleção de Arte Contemporanea Publico, 2005.
Moos, David, ed. The Shape of Colour: Excursions in Colour Field Art 1950-2005. Toronto: Art Gallery of Toronto, 2005.
Pace Wildenstein. Logical Conclusions: 40 Years of Rule-Based Art. New York: Pace Wildenstein, 2005.
Perry, Vicky. Abstract Painting: Concepts and Techniques. New York: Watson Guptill, 2005.
Richer, Francesca and Matthew Rosenzweig, ed. No. 1: First Works by 362 Artists. New York: Distributed Art Publishers, Inc., 2005.

2004

Dan Cameron, Liza Kirwin, Alan W. Moore, “East Village USA”, catalogue, p. 143, New Museum of Contemporary Art, New York.
Redding, Mary Anne, “Visions of America: American Art and Identity (Amerikanische Kunst und Identität)”, catalogue, p. 141, 255, Sammlung Essl, Vienna.
Debailleux, Henri-Francois, “Weekend Rencontre: Je suis une sorte de réaliste dans une société abstraite (Weekend Encounter: I’m a Kind of Realist in an Abstracted Society).” Interview. Liberatión, July 17, pp. 42-43.
Spector, Nancy and Lisa Dennison. Singular Forms (Sometimes Repeated): Art from 1951 to the Present. catalogue, The Guggenheim Museum, March 5–May 19, New York.
Glueck, Grace, “With Artists Among Alumni, a School can be a Collector.” The New York Times. July 6, p. 38.
Rimanelli, David, “High Art.” House and Garden, June, pp. 104-109.
Troncy, Eric, “Cométe des Eighties.” Numéro, March, pp. 318-321.
Figura, Starr. Artists and Prints: Masterworks from the Museum of Modern Art. New York: The Museum of Modern Art, 2004.
Richards, Judith Olch. Inside the Studio: Two Decades of Talks with Artists in New York. New York: Independent Curators International, 2004.

2003

Garret, Craig, “The Industrial Art: Peter Halley, Bill Charles, and Neville Wakefield Discuss the Multiple Trajectories of Contemporary Photography.” Interview. Flash Art International, Nov./Dec., pp. 57-59.
Garret, Craig, “Coerced Confessions.” Flash Art International, Nov./Dec., pp. 72-75.
Kim, Sheila, “Blast From the Past.” Interior Design, October, p. 62.
Armaos, Georges, “Postimpact.” Portalakis Collection, October, pp. 33-40.
Kojima, Yayoi, “We Love Painting!” Invitation, March, p. 164.
Kojima, Yayoi, “A Flag Bearer of American Abstract Painting is Still Running.” Esquire Tokyo, March, p. 192.
Kae, Shigeo, “Tokyo Shows Reveal Subtle Art of Collecting Masterpieces.” The Asahi Shimbun, January 24, p. 29.
-----, “Why Don’t You…See This (Art).” Harpers BAZAAR Tokyo, March, p. 176.
Cameron, Dan, “80’s Then: Peter Halley Talks with Dan Cameron.” Artforum, March, p. 212.
-----. “ESKY Art.” Ryuko Tsushin, March, p. 139.
Battistini, Matilde, “Lá Dove il Rosso é George W. Bush.” il Diario, March 14, pp. 58-61.
Beatrice, Luca. Peter Halley. Milan: Galleria Cardi & Co., 2003.
McGee, John, “We Love Painting!” METROPOLIS, February 14, p. 12.
Shirasaka, Yuri, “Art Museum: We Love Painting!” Katei-Gahoh, February, p. 130.
Fukuda, Yutaka, “Brilliant Collection of Contemporary Art of US.” Diamond, February 1, pp. 110-111.
-----. “We Love Painting!” Geijutsu-Koron, January, p. 196.
-----. “Preview: We Love Painting!” Bijutsu-Techo, January, p. 270.
Nagai, Asami, “Workplace Art? Sounds Almost Too Good to be True.” The Daily Yomiuri, January 16, p. 34

2002

Weinberg, Adam D. “Treasures of the Addison Gallery of American Art.” New York: Abbeville Press, 2002.
Jacovini, Joanna, “Bright Lights, Bold Fashion.” Interview, December, p. 6.
Rosenblum, Robert, “Best of 2002.” Artforum, December, pp. 128-129.
Boyce, Roger, “Lock-Ups and Aftershocks.” Art in America, November, pp. 128-129.
Paparoni, Dimitrio. “Art, Space and its Repetition.” Interview. Lucio Fontana, Galleria In Arco, Turin
Carier, David, “Peter Halley.” Tema Celeste, September, p. 92.
Silva, Melinda Rose, “Peter Halley’s Mini Adventure.” Contemporary, September, pp. 60-61.
Oliveras, Jaume Vidal, “En el Labertino de Peter Halley.” El Cultural, September, p. 32.
Cash, Stephanie and David Ebony, “Artworld.” Art in America, June, p. 144.
Smith, Roberta, “Peter Halley: Mary Boone Gallery.” The New York Times, May 10, p. E 30.
Smith, Roberta, “A Profusion of Painting, Very Much Alive.” The New York Times, May 10, p. E33, E43.
Colman, David, “ When Inside Out Equals Outside In.” The New York Times, May 5, section 9, p. 9.
Tuttle, Richard, “Cosmic Relief.” Artforum, February, pp. 116-121.
Godfrey, Tony, “At Waddington.” The Burlington Magazine, January, p. 48.

2001

Schwartz, Sheila, “American Visionaries: Selections from the Whitney Museum of Modern Art.” Whitney Museum of Modern Art, p. 127, New York.
Gayford, Martin, “Peter Halley on Picasso’s Still Life on a Pedestal Table.” The Daily Telegraph, November 3, p. A10.
Rackham, Elisabeth, “Peter Halley Paintings”, catalogue, October 18 – November 17, 2001, Waddington Galleries, London.
Weg Vander, Kara, “What is Pop Art?” GQ, September, p. 360.
Casadio, di Mariuccia, “Superfluo.” Vogue Italia, June, p. 185.
Moreno, Gean, “Mythic Proportions.” Flash Art, May-June, pp. 146-47.
Wallach Amei, “Reassessing an Era When Excess Was the Norm.” The New York Times, Arts & Leisure, 29 April, p. 38.
Casadio, di Mariuccia, “Art Working.” Casa Vogue, April.
Nagasawa, Akio, Esquire Japan, January, Vol. 15, No. 1.

2000

Spada, Sabina, “ Le Monadi di Halley.” Arte, December, pp. 120-124.
Affaticati, Andrea, “Edizioni di Lusso.” Vogue Italia, December, p. 78.
Princenthal, Nancy, “Artist’s Book Beat.” Book review. Art On Paper, July-August, pp. 70-71.
Schwabsky, Barry, “Speed Reading.” Book review. I.D. Magazine, June, p. 36.
Casadio, Mariuccia, “Into Gold.” Casa Vogue, April, p. 172.
Mauk, Laura, “Horses Mouth.” Bookforum, Summer, p. 9.
Harris, Jane, “Peter Halley: Maintain Speed.” Book review. Bookforum, Fall, p. 19.
Seafree, J., “Peter Halley.” La Brocha, March.
Jimenez, Jose, “Geometria y Critica Social.” El Mundo, February 12, p. 16.
Carpio, F., “Vil Geometria.” La Razon -- El Caballo Verde, February 25.
Murria, Alicia, “Peter Halley.” Lapiz, No. 161, p. 81.
Navarro, Mariano, “Peter Halley.” El Mundo, February 27.
Nemeczek, Alfred. Das Bild der Kunst. Hamburg: Verlag Gruner + Jahr, 1999.
Siegel, Jeanne. Art Talk. New York: Da Capo Press, 2000.
Hills, Patricia, ed. “Nature and Culture,” reprinted in Modern Art in the USA: Issues and Controversies of the 20th Century. Upper Saddle River, NJ: Prentice-Hall, 2000. Patricia Hills, editor, p. 342, New Jersey.
Reynolds, Cory, ed. Maintain Speed. New York: Distributed Art Publishers, Inc, 2000.
Schwarz, Arturo. Utopia’s Diagrams. Milan: Tema Celeste, 2000.

1999

Coles, Alex, art/text, no. 67, p.82, Los Angeles.
Yun, Tai-gun and So-Young Lee. “Peter Halley”, catalogue, October 8th-November 5th, 1999, C.A.I.S Gallery, Seoul.
------, "Interview with Peter Halley.” art magazine, November, p. 97.
Yun, Tai-gun, “Peter Halley exhibition review.” ARTWORLD. November, p. 181.
------, "Exhibition Highlight.” Wolgan Misool, November, p. 156.
Wanderbeiten, Architekturbezogene. Wall Works. Munich: Edition Schellman, 1999.
Sullivan, John, "Peter Halley Exhibit Delivers Message of Caution Modern Development.” The Korea Herald, 3 November 1999.
Paparoni, Demetrio, "Peter Halley: Waddington Galleries, Londra; Grant Selwyn Fine Art, NewYork.” Tema Celeste, August/September , pp. 75-76.
Birnbaum, Daniel, "Peter Halley: Grant Selwyn Fine Art, New York.” Artforum, September, p. 163.
Koestenbaum, Wayne, “Peter Halley”, catalogue, Waddington Galleries, April 28 – May 28, London.
Collings, Matthew, “Higher Beings Command: Peter Halley.” Modern Painters, Summer, p. 63.
MacAdam, Alfred, “Peter Halley: Grant Selwyn Fine Art.” Artnews, Summer, p. 153.
Smolik, Noemi, “Peter Halley: Das Werk als eine Superstruktur.” Kunstforum International, May-June, No. 145, pp. 305-311.
Kent, Sarah, "Waddington's.” Time Out London, May 19-26.
"Halley's Comment.” The Guardian, April 24-30.
Ermen, Reinhard, “Peter Halley.” Kunstforum International, March/April, No. 144, pp. 353-354, Cologne.
Imdahl, Georg, “Revolte im Gefängnis der Geometrie.” Frankfurter Allgemeine, January 4.
------, “Digital Fields.” Kunst Aktuell, December/January 1999.

1998

Collings, Matthew, “Life of Riley: Peter Halley.” It Hurts: New York Art from Warhol to Now, London: 21 Publishing.
------, “Peter Halley.” noëma, October/November, p. 49.
Behrens, Katja, “Geometrie-Paranoia.” Marabo, December 1998.
------, “Digital Fields.” Kunst Aktuell, December/January 1999.
------, “Vieldeutige Farbfelder”, Der Spiegel, December 1998.
Finckh, Gerhard. Peter Halley. Museum Folkwang Essen, November 22 – January 24, Essen.
Nebelung, Sigrid, “Im Netz der Leitungen und Kabel.” Art Das Kunstmagazin, December 1998.
Hoffmans, Christiane, “Die Welt ist Geometrie.” Welt am Sonntag, November 22.
Nishizawa, Midori. Peter Halley, Painting as Sociogram 1981-1997. catalogue, February 28 – March 29, Kitakyushu Municipal Museum of Art, Kitakyushu, Japan.
Krause, Manfred, “Das Labyrinth der Technik:Halleys ‘Neo-Geo’ in Essen.” Westdeutsche Allgemeine, November 27.
Schenk-Güllich, “Starke Farben auf Bildern und Wänden: Peter Halley im Museum Folkwang.” Neue Ruhr Zeitung, November 23.
Princenthal, Nancy, “Peter Halley at the Museum of Modern Art.” Art in America, May, p. 121.
Matsui, Midori, “Getting Out of the Cell: Peter Halley’s Thinking Geometry.” Bijutsu Techo, May, Vol. 50, No. 775, pp. 97-108.
“Peter Halley al MoMA.” Tema Celeste, March, No. 66.

1997

Rosenblum, Robert, “Top Ten.” Artforum, December.
Shaviro, Steven, “New Concepts in Printmaking I: Peter Halley.” On Paper, November/December.
Smith, Roberta, “Museums.” The New York Times, November 14, Weekend Section.
Kayabal, Asli, “Halley Geilyor.” YeniYuzyil, Kasim 2.
------. “Peter Halley Turidye’ye Gallyer.” Cumhuriyet, October 30.
Smith, Roberta, “Peter Halley, New Concepts in Printmaking I.” The New York Times, October 24.
Levin, Kim, “Jailbreak.” The Village Voice, October 14, Vol. XLII, No. 41.
Newhall, Edith, “On View, The Halley Files.” New York Magazine, September 29.
Ozdogru, Nuvit, “Ronesans Oncesinden Neo-GeoYa Sanat Zinciri.” Milliyet Sanat, Nisan 1.(Istanbul)
Caramel, Luciano, “Halley L’Anti-Idealista.” Quadri & Sculture, February/March, No. 24.
Sarje, Kimmo, “New York Neurosis.” Siksi, Vol. XII, No. 1, Spring. (Helsinki)
Spada, Sabina, “Peter Halley.” Tema Celeste, Spring. (Milan)
Panzera, Mauro, “Peter Halley.” Flash Art, Italian edition, April/March. (Milan)
Bini, Ida, “La Cometa Neo-geo di Halley Transita in Italia.” Arte Mercato, February. (Milan)
Lorenzi, Fausto, “La Fredda Cometa di Peter Halley.” Giornale di Brescia, February 12. (Brescia)
Fiz, Alberto, “Roma e Brescia, I Percorsi Invisibili di Peter Halley.” Madame, February. (Milan)
Fiz, Alberto, “Halley, il Neoastratto”, ItaliaOggi, February 22. (Milan)
Allan, Janet, “New Magazine with a Touch of Andy Warhol.” The New York Times, July 20.
Milazzo, Richard, ed. Peter Halley: Recent Essays, 1990-1996. New York: Edgewise Press, 1997.

1996

------, “Halley, los 16, Miguel Moreno, Marqués.” El Punto, December 20. (Madrid)
Navarro, Mariano, “Imagenes de Peter Halley.” ABC de las Artes, December 13. (Madrid)
Mazorra, Javier, “La Obra de Peter Halley Inaugura una Nueva Sala en Madrid.” El Mundo, December 12. (Madrid)
Nespolo, Ugo, “Sotto i Raggi X di Peter Halley.” La Stampa, August 26. (Turin)
Schjeldahl, Peter, “Balling.”The Village Voice, July 30.
Pagel, David, “A Union of Pop, Minimalism That’s Over the Top.” The Los Angeles Times, May 15.
Sack, Warren, “Painting Theory Machines.” Art and Design, No. 48.
Protzman, Ferdinand, “Everyday Abstractions.” The Washington Post, March 9, p. H2.
Smith, Roberta, “Art in Review: Screen, Friedrich Petzel Gallery.” The New York Times, February 2, p. C26.
Coles, Alex & Richard Bentley, ed. “Against Postmodernism: Reconsidering Ortega.” Ex-Cavating Modernism, Vol 1. London: BACKles Books, 1996.

1995

Stapen, Nancy, “Peter Halley’s Feel-Bad Art for an Oppressive Culture.” The Boston Globe, December 7, p. 72.
Riminelli, David, “Reviews - Peter Halley at Sidney Janis Gallery.” The New Yorker, December 4, p. 20.
Thompson, Lauri, “Peter Halley: Drawings 1991-1995.” Greenberg Van Doren Gallery, January 1.
Rian, Jeff, “Peter Halley Makes a Move.” Flash Art, October, pp. 89-92, 128. (Milan)
Artner, Alan, “Art, Clarity and Color Charge Halley Drawings.” Chicago Tribune, August 25, p. 52.
Karmel, Pepe, “Art in Review, Peter Halley at Pace Wildenstein and TZArt.” The New York Times, October 6, p. C32.
Karmel, Pepe, “Art in Review, Peter Halley & Ettore Sottsass at Jay Gorney Modern Art.” The New York Times, July 21, p. C23.
Nuridsany, Michel, “Halley: des Plans sur la Comete.” Le Figaro, May 16. (Paris)
Dagen, Philippe, “Galerie Thaddaeus Ropac.” Le Monde, May 14-15, p. 19. (Paris)
Isola, Marina, “Close Encounters.” The Met, March 2-9.
Isola, Marina, “Paintings 1980-1981.” The Met, March 2-9.
Cortes Cantillo, Lucia, “Representantes de la Abstraccion.” La Republica, January 19, p. 5. (San Jose, Costa Rica)
Dobles, Aurelia, “Cuatro Infinitudes.” La Nacion, January 18, p. 10. (San Jose, Costa Rica)


1994

Rosenthal, Mark, “Critiques of Pure Abstraction.” Atelier Magazine, September, pp. 68-69. (Japan) (cover)
Giobbi, Cesar, “Persona.” Caderno2, Quarta-Feira, September 14, p. D6. (Sao Paulo)
Drolet, Owen, “Peter Halley/Grand Salon.” Flash Art International, October, Vol. XXVII, p. 95. (Milan)
Slonim, Jeffrey. “Sister Acts, Take Two.” Interview. ArtForum, March, p. 8.

1993

Römer, Stefan, “Peter Halley”, Kunstforum, p. 351, Volume 123, Cologne.
Ziegler, Laurie, “The Ties that Bind”, New Art Examiner, Summer, pp. 12-17, Chicago. (cover)
Corris, Michael and Robert Nickas, “Punishment and Decoration, Art in the Age of Militant Superficiality.” Artforum, April, p. 81.
Warren, Charles, “Seize the Apparatus.” Tema Celeste, Spring, No. 40, pp. 45-49. (cover)
Saunders, Wade, “Making Art Making.” Art in America, January, No. 1, pp. 78-79.
Schwarz, Arturo, “Una Mostra Da Non Perdere.” Segno, No. 126, pp. 39-40.
Myers, Terry R. “Peter Halley.” Art Issues, January/February, No. 26, p. 38.

1992

Paparoni, Demetrio, "About the Sublime Today." Interview. Tema Celeste, Winter, No. 34, p. 89.
Schwartz, Michael, "Peter Halley", interview, Galeries Magazine, Dec./Jan. 1992, pp. 78-87, Paris.
Siegel, Jeanne, “Peter Halley.” Tema Celeste, Autumn, No. 37-38, p. 87.
Zaya, Octavio. “Los Artistas de los Anos 80 Eran Pretenciosos.” Cultura Espectaculos, June 24.
Figueres, Abel, “Entre el Geometric i el Social.” Avui Art. July 22, p. 28.
Badia, Montse, “Peter Halley.” Avui Art, July 8, p. 24.
Steenbergen, Renee, “Biografie in Fluorescerend Gekleurde Vierkanten.” Kunst, September 30, p. 10.
Klaster, Jan Bart, “Overvolle Bak in Het Stedelijk.” Het Parad Kunst, October 16, p. 6.
Danoff, Michael I., “Peter Halley: Paintings 1989-1992”, catalogue, Des Moines Art Center, December 1, 1992, Des Moines.
Constable, Lesley, “Wexner Center Show Throws More Crumbs.” The Columbus Dispatch, Visual Arts,
July 19, p. 8H.
Montolio, Celia, “Geometrias Escondidas.” Revista Internacional de Arte Lapiz, Ano X, No. 88, pp. 32-43.
Bourdon, David, “Seeing It All, or Six Weeks in Manhattan Galleries.” Art in America, September,
No. 9, pp. 51-61.
Fleck, Robert, “Peter Halley, Broad Conduit Boogie-Woogie.” Flash Art, Summer, Vol. 25, No.165, p. 109.
Badia, Montse, “Peter Halley.” Avui, July 8, p. 24.
Jimènez, Pablo, “Peter Halley, un neo-geo en Madrid.” A.B.C., June, p. 33.
Martialay, Julieta, “Los Más Representativos Autores del Pop-Art Exponen en el Reina Sofía.” El Observador, June 1992.
Fernandez, Horacio, “Continuidad de la Geometría.” Diario16, June.
------, “Halley, un Geométrico Secularizado.” El Pais, June 29, p. 30.
Danvila, Jose Ramon, “Peter Halley. Recuerdos y Razón de la Pintura.” El Punto, June 26, p. 6.
Fernandez, Horacio, “Continuidad de la Geometría.” El Mundo, June 26, p. 78.
------, “El Arte Pop y Peter Halley en el Centro Reina Sofia.” Lanza, June 23, p. 7.
------, “Centro Reina Sofia Acoge la Primera Posición Europea de Peter Halley.” Diario Vasco, June 23, p. 67.
de Bustos, Clara Isabel, “El Reina Sofía Abre sus Puertas a la Fascinación Consumista del Arte Pop.” A.B.C., June 23, p. 67.
------, “El Reina Sofía Expone Todo el Movimiento Pop.” El Pais, June 23, p. 30.
Mediavilla, Manuel, “El Reina Sofia Inaugura Muestras de Arte Pop y de Peter Halley.” El Diario Vasco, June 22, 68.
Mediavilla, Manuel, “El Reina Sofía Abre dos Muestras Dedicadas al Pop Art y Peter Halley.” El Correo Espagnol, June 21, p. 30, 65.
Kramer, Hilton, “A Neo-Geo Mumbo-Jumbo Guides Halley’s Comet.” The New York Observer, June 15, Vol. 6, No. 23.
Kimmelman, Michael, “Peter Halley.” New York Times, June 5.
Millet, Catherine, “La Crise de la Geometrie et Autres Essais, 1981-1987.” Book review. Art Press, June, p. 63.
Vogel, Carol, “Movable Show.” The New York Times, May 22, p. C22.
Bartels, Daghild, “Peter Halley, Fondation Edelman, Pully.” Artis, May, p. 57.
G. M., “Sombre Constat Fluo.” TV Nouvelliste, May 8,p. 5.
D. M., “Le Vertige et les Pieges de la Maitrise.” LHebdo, April 17-23, p. 93.
Dagen, Philippe, “Cruautes Optiques.” Le Monde, April 1, p. 19.
Kunz, Nicole, “Dans les Allées de Halley.” Journal de Geneve, April 7, p. 38.
Debraine, Luc, “Les Couleurs Fluo de Peter Halley Dressent un Sombre Constant.” Le Nouveau Quotidien, April 14, p. 23.
Halley, Peter. La crise de la geometrie et autre essais, 1981-1987. Paris: ensb-a, 1992.

1991

Hixson, Kathryn, “Interview with Peter Halley.” Catalogue. Bordeaux: capc Musee d’art contemporain, 1991.
Di Benedetto, Steve and Peter Halley, "Site and Non-Site." Flash Art, Nov./Dec., pp. 100-102.
Nyffenegger, Francoise, “Peter Halley au Musee D’Art Contemporain de Pully.” La Tribune de Geneve, April pp. 4-5.
-----, “Le Capc de Bordeaux.” Arts Graphiques, February/March/April.
Kerner, Anne, “Géo-Comète.” Museart, Februar1.
-----, “Trait d’Esprit.” Gaipied, January 9.
-----, “Bordeaux: La Comète de Halley.” Parcours Air International, January.
-----, “Pas Seulement Abstrait”, Connaissance des Arts, January.
-----, “Peter Halley.” En Ville, December/January.
-----, “Le Jeu de la Société.” Objectif Aquitaine, December/January.
Tamaka, Hiroko, “Art is Beautiful: Interviews with New York.” Kawade Shobo Shinsha, pp. 165-168.
Jones, Bill, “American Artists of the 80s.” Tema Celeste, January/February, no. 29, p. 84.
Jones, Bill, “Peter Halley, Robert Raushenberg, Mel Bochner.” Tema Celeste, March/April, no. 30, p. 85.
Kimmelman, Michael, “ At the Whitney, a Biennial That’s Eager to Please.” The New York Times, April 11, C1, C24.
Schjeldahl, Peter, “Cutting Edge.” The Village Voice, April 30, pp. 93-94.
Lotringer, Sylvere, “Third Wave: Art and the Commodification of Theory.” Flash Art, May/June, pp. 89-93.
Hillman, James, “The Repression of Beauty.” Tema Celeste, May/June, no. 31, pp. 58-64.
Johnson, Ken, “Report for New York: Generation Saga.” Art in America, June, vol. 79, no. 6, pp. 45-51.
McEvilley, Thomas, “Two Big Shows: Post-Modernism and Its Discontents.” Artforum, Summer, vol. 29, no. 10, pp. 98-101.
Gardner, Paul, “What Artists Like About the Art They Like When They Don’t Know Why.” Artnews, October, vol. 90, no. 8, pp. 116-121.
D’Amato, Brian, “Peter Halley.” Flash Art, October, vol. 24, no. 160, p. 143.
Smith, Roberta, “Art and Power, Or, the Fist that Grips the Brush.” The New York Times, October 24, p. C17, C21.
-----, “Peter Halley.” Bordeaux Gironde, October-December.
Mannheimer, Steven, “Power Play.” The New Art Examiner, November, vol. 19, no. 3, pp. 16-19.
-----, “Peter Halley au Capc de Bordeaux.” Panorama de Medecin, December 12.
-----, “L’Univers de Halley.” Le Courrier Français, December 13.
Bouzerand, Jacques, “Plein Cadre: Peter Halley.” Le Point, December 12.
Godfrey, Dominique, “Peter Halley au Capc: Un Jeune Loup Géométrique.” Sud Ouest, December 22.
Sans, Jerome, “Peter Halley.” Beaux Arts, December, pp. 107-109.
-----, “L’Environment Quotidien et l’Art, Les Géométries de Peter Halley.” Bordeaux, December.
-----, “Peter Halley.” A Suivre, December.

1990

Politi, Giancarlo, "Peter Halley." Interview. Flash Art, Jan/Feb, pp. 81-87.
Heartney, Eleanor, “Peter Halley: Sonnabend.” Artnews, February, vol. 89, no. 2, p. 155.
Decter, Joshua, “Peter Halley.” Contemporanea, March, p. 89.
Adams, Brooks, “Peter Halley at Sonnabend.” Art in America, March, vol. 78, no. 3, pp. 195-196.
Smith, Roberta, “Grouping of Abstracts For Serious Looking.” The New York Times, December 7, p. C24.
Faust, Gretchen, Review. Arts Magazine, May, vol. 64, no. 9, pp. 112-113..
Metzger, Rainer, “Peter Halley, Julian Opie, Giulio Paladino.” Flash Art, October, vol. 23, no. 54, pp. 162-163.
Cottingham, Laura, “Reviews: The Last Decade--Eighties Artists.” Contemporanea, December, pp. 88-89.
Halley, Peter. Scriti sull'arte e altro. Tema Celeste, Siracusa, Italy: Tema Celeste, 1990.


1989

Bookhardt, D. Eric, "Interview: Peter Halley." Interview. Art Papers, Jan/Feb, pp. 8-10.
Paparoni, Demetrio, "Silence and Meaning: Peter Halley." Tema Celeste, July-Sept., pp. 55-57.
Graw, Isabelle, “Spotlight: The American Bi-National.” Flash Art, Jan/Feb, no. 44, pp. 108-109.
Slesin, Suzanne, “Where Contemporary Art is the Décor.” The New York Times, February 2, p. C1, C6.
Trimarco, Angelo, “Dipartimenti di Vita.” Il Matino, March 4.
Bakargiev Christov, Carolyn, “In Cella con Dioniso.” 24 Ore, March 28.
Miller, John, “Peter Halley’s Geometry and the Social.” Artscribe, March/April, no. 74,p. 64.
Baker, Kenneth, “Review: Carnegie International, Carnegie Museum of Art.” Artforum, March, pp. 138-139.
Caley, Shaun, “Peter Halley: Jablonka, Cologne.” Flash Art, March/April, no. 145, p. 118.
Bochynek, Martin, “Das Abstrakte Gefangnis.” Marabo, no. 6, p. 80.
-----, “Kalte Bilder von Halley.” Rheinische Post, April 29.
Vaupel, Michael, “Gefangene des Raumes.” Westdeutsche Zeitung, May, no. 102.
Ingenpahs, Heinz J., “Die Schrille Leere von Mauern.” Westdeutsche Zeitung, May 12.
Kimmelman, Michael, “Touring Show of Soviet and American Artists.” The New York Times, May 16, p. C15, C20.
Leigh, Christian, “The Silent Baroque.” Balcon, no.5-6, pp. 56-65.
Paperoni, Demetrio. “Silencio e Significato: una Conversazione tra Peter Halley e Demetrio Paparoni.” Interview. Tema Celeste, October/December, pp. 51-53.
Collins, Tricia, and Richard Milazzo, “Radical Consumption and the New Poverty: A Discourse on Irony and Superfluity.” New Observations, October, no. 51.
Smith, Roberta, “Minimalism’s Slow Fire.” The New York Times, December 10.
Januszczak, Walsemar, Hanatsubaki, December 1989, no. 474, p. 40.
-----, “‘Flatland’ A Project for Tema Celeste.” Tema Celeste, January/March, no. 19, p. 32.

1988

Russell, John, “At the Saatchi Collection, A Thin Show of NY Art.” The New York Times, January 3, pp. H27-28.
Kuspit, Donald, “Reviews.” Artforum, January, vol. 26, no. 9. pp. 112-113.
Max Faust, Wolfang, “Now New, York New: Interview with Dan Cameron.” Interview. Wolkenkratzer, Jan/Feb, 20-25.
Bonita Oliva, Achille, “Neo-America.” Flash Art, Jan/Feb, no. 138, pp. 62-66.
Artner, Alan G., “Halley Uses Critiques on Culture to Shore Up Feeble Work.” Chicago Tribune, April 22, section 7, p. 63.
Sundell, Margaret and Thomas Beller, "An Interview with Peter Halley." Interview. Splash, Summer.
Gilbert-Rolfe, Jeremy, “Nonrepresentation in 1988: Meaning Production Beyond the Scope of the Pious.” Arts Magazine, May, vol. 62, no. 9, pp. 124-125.
Bell, Tiffany, "On Barnett Newman: Peter Halley and Jeremy Gilbert-Rolfe." Interview. Parkett, no.16, p. 18.
Taylor, Paul, “Spotlight: Cultural Geometry.” Flash Art, May, no. 140, pp. 124-125.
McEvilley, Thomas, “Marginilia.” Artforum, May, vol. 26, no. 9, pp. 11-12.
Osterow, Paul, “The Round Table Project.” Bomb, Spring, p. 42.
Jones, Ronald, “Hover Culture.” Artscribe, Summer, no. 70, p. 50.
Jones, Ronald, Review. Artscribe, Summer, no. 70, p. 85.
Segard, Michel, “Peter Halley.” New Art Examiner, p. 43.
Plagens, Peter, “The Emperor’s New Cherokee Limited 4x4.” Art in America, June, vol. 6, no. 4, pp. 23-24.
Graw, Isabelle, “Carnegie International.” Galeries Magazine, Dec/Jan, no. 28, pp. 76-78.
Kazanjian, Dodie, “Collins & Milazzo, Talent Scouts.” House & Garden, December, p. 74.
Mantegna, Gianfranco, "Technologia Transcendentale." Interview. Tema Celeste, Dec-Feb, pp. 34-36,
71-72.
Halley, Peter. Peter Halley: Collected Essays 1981-1987. Zurich: Bischofberger/ Sonnabend, 1988.

1987

Cameron, Dan, “New American Art.” Art & Design, vol. 3, pp. 33-43.
Smolik, Noemi, “Whoever Sets Up Urinals Shouldn’t Wonder When They’re Pissed Into.” Volkenkratzer, Jan/Feb,86.
Ronnen, Meir, “What You See Is What You Get.” The Jerusalem Post, January 30.
-----, “Group Material: ‘Anti-Baudrillard’ panel discussion.” File Magazine, #28, pp. 110-119.
Hart, Claudia, "Intuitive Sensitivity: an Interview with Peter Halley and Meyer Vaisman." Interview. Artscribe, Nov/Dec, pp. 36-39.
Wei, Lily, "Talking Abstraction." Interview. Art in America, December, pp. 112-130.
Ratcliff, Carter, “I Like the Free World.” Artforum, February, vol. 25, no. 6.
Muchnic, Suzanne, Review. The Los Angeles Times, March 20, section IV.
Richardson, Elizabeth, “Shaping a Firm Minimalism.” Artweek, March 21, vol. 18, no. 11, p. 4.
Madoff, Steven Henry, “Purgatory’s Way.” Arts Magazine, March, vol. 61, no. 7, pp. 16-19.
Gold, Sylviane, “Whitney’s Biennial: A Modern Mishmash.” USA Today, April 14.
Zaunschirmer, Thomas and Alexander Puhringer, “Neo Konzeptionalismus Szene New York.” Noemia Art Magazine, April/May, no. 11, pp. 18-38.
Raynor, Vivien, “In Ridgefield, Connecticut, a Post-Abstract Show.” The New York Times, June 26, p. C26.
Glueck, Grace, “What Do You Call Arts Newest Trend: Neo-Geo ...Maybe.” The New York Times, July 6, New York.
Smith, Roberta, “Generations of Geometry, an Abstract Show.” The New York Times, July 17, p. C32.
Casadio, Mariuccia, “Bickerton, Halley, Koons e Vaisman: Le Premesse Teoriche Dell Oggetto Americano.” Vanity, July/August , pp. 118-123.
Zimmer, William, “Visiting Art Museums and Galleries in Three States.” The New York Times, August 14, C1, C26.
Felhau, Fred, “Spotlight: Donald Judd and Peter Halley.” Flash Art, Summer, no. 135, p. 93.
Pincus-Witten, Robert, “Entries: Electro-Static Cling or the Massacre of Innocence.” Artscribe International, Summer, no, 64, pp. 36-41.
Lovelace, Carey, “The Whitney Gets It Right, Almost.” New Art Examiner, Summer, vol. 14, no. 11, pp. 24-26.
Taylor, Paul, “My Art Belongs to Dada.” London Observer, 6 September, pp. 16-17.
Graham-Dixon, Andrew, “Neo-Geo.” Vogue, British edition, September, vol. 144, no. 9, pp. 36-41.
Smith, Roberta, Review. The New York Times, October 30, p. C34.
Stevens, Mark, “Neo-Geo: Art’s Computer Hum.” Newsweek, November, vol. 110, no. 16, p. 119.
Wulffen, Thomas, “Tuzina, Halley, Chamberlain, Kiecol.” Artscribe International, Nov/Dec, pp. 79-80.
Cameron, Dan, “In the Path of Peter Halley.” Arts Magazine, December, vol. 62, no. 4, pp. 70-73.
Shinoda, Tatsumi, “Peter Halley.” Bijustu-Techo, December, vol. 39, pp. 38-41.
Wei, Lilly, “Talking Abstract II.” Art in America, December, pp. 120-121, 171.

1986

"From Criticism to Complicity." Panel discussion. Flash Art, Summer, pp. 46-49.
Cone, Michele, "Peter Halley." Interview. Flash Art, February/March.
Collins, Tricia and Richard Milazzo, “Spiritual in America.” CEPA Quaterly, Spring, vol. 1, issue 3, pp. 4-8.
Decter, Joshua, “Peter Halley.” Arts Magazine, Summer, vol. 60, no. 10, p. 110.
Cotter, Holland, “Peter Halley/International with Monument.” Flash Art, Summer, no. 163, p. 68.
Relyea, Lane, “Hot Commodities.” L.A. Weekly, August 15-21, vol. 8, no. 38, p. 21.
Westfall, Stephen, “The Synthetic Sublime.” L.A. Weekly, August 15-21, vol. 8, no. 38, p. 20.
Heartney, Eleanor, “Neo-Geo Storms New York.” New Art Examiner, September, vol. 14, no. 1, pp. 26-29.
Jones, Alan, “Paravision: An Interview with Tricia Collins and Richard Milazzo.” Galeries Magazine, Aug/Sept, no. 14, pp. 40-47, 93-94.
Smith, Roberta, “Art: 4 Young East Villagers at Sonnabend Gallery.” The New York Times, October 28, p. C30.
Wallach, Amei, “The New Art Is Soho Cool.” Newsday, October 26, Section II, pp. 3-17.
Larson, Kay, “Masters of Hype.” New York Magazine, November 10, vol. 19, no. 25, pp. 65-66.
Madoff, Steven Henry, “Vestiges and Ruins: Ethics and Geometric Art in the Twentieth Century.” Arts Magazine, December, vol. 61, no. 4, pp. 32-40.
Cameron, Dan, “Transparencies.” Art Crticism, vol. 3, no.1, pp. 1-10.
Taylor, Paul, “Cumulus from America: The Return of (Conceptual) Art.” Parkett, no.9.
Kuspit, Donald, “Young Necrophiliacs, Old Narcissists: Art About the Death of Art.” Artscribe International, April/May, no. 57, pp. 27-31.
Ottman, Klaus, “Supermannerism.” Flash Art, April/May, no. 127, pp. 59-61.
Collins, Tricia and Richard Milazzo, “Tropical Codes.” Kunstforum, International, March-May, pp. 308-337.
Zaya, Octavio, “Se Acbo el Neo-Expressionismo o la Vuelta de la Abstraccion.” Hartismo, Jan-March, no.10.
Siegel, Jeanne, “Geometry Desurfacing.” Arts Magazine, March, vol. 60, no. 7, p. 26.
Jones, Ronald, “Six Artists at the End of the Line: Gretchen Bender, Ashley Bickerton, Peter Halley, Louise Lawler, Allan McCollum, and Peter Nagy.” Arts Magazine, May, vol. 60, no. 9, p. 49.
Russell, John, “Bright Young Talents: Six Artists with a Future.” The New York Times, May 18, p. H1, H31.
Foster, Hal, “Signs Taken for Wonders.” Art in America, June, vol. 74, no. 6, pp. 81-91, 139.
McGill, Douglas, “The Lower East Side’s New Artists.” The New York Times, June 3, p. C13.
Mnuchin, Susan, “Commodity-Culture Art Rides Again.” The Los Angeles Times, July 26, part V, p. 9.
Tomkins, Calvin, “Between Neo- and Post-.” The New Yorker, November 24, pp. 104-113.

1985

Robinson, Walter, “The New Capital at White Columns.” Art in America, April, vol. 73, no. 4, pp. 207-209.
Siegel, Jeanne, "The Artist Critic of the Eighties: Peter Halley and Stephen Westfall." Interview. Arts Magazine, September.
Biegler, Beth, East Village Eye, February, New York.
Truitt, Mary, East Village Eye, June, New York.
McCormick, Carlo, “POPTOMETRY.” Artforum, November, vol.24, no.3, pp. 87-91.
1984 Warren, Ron, “Brilliant Color.” Arts Magazine, April, p. 38-39.
Craven, David, “Science Fiction and the Future of Art.” Arts Magazine, May, vol. 59, no. 9, pp. 125-129.
1982 Harris, Susan, “Selections 19.” Arts Magazine, November, vol. 57, no. 3, p. 59.