MONOGRAPHS & SOLO EXHIBITION CATALOGUES
2023
Peter Halley, Paintings and Drawings: 1980–81, exhibition catalogue, Karma and Craig Starr Gallery, New York.
Peter Halley. Conduits: Paintings from the 1980s, exhibition catalogue and monograph, MUDAM, Luxembourg.
2022
ANTESTERIA, exhibition catalogue, Museo Nivola, Sardinia.
2021
Novas Pinturas, exhibition catalogue, Galeria Millan, São Paulo.
2019
Heterotopia I, exhibition catalogue, Flash Art, Milan.
Mangold Halley Modern Postmodern, exhibition catalogue, Maruani Mercier Gallery, Brussels.
Depero Halley, exhibition catalogue, Futurism & Co., Rome
Peter Halley: 23 June – 10 September, 2017, exhibition catalogue, Gary Tatinsian Gallery, Moscow.
2017
Francesca Avanzini, The Presence of Peter Halley in Italy (1987–2016), PhD dissertation, Universita Cattolica Del Sacro Cuore Di Milano, Milan.
Peter Halley, Boats Crosses Trees Figures Gouaches 1977–78, exhibition catalogue, Karma, New York.
Peter Halley, Paintings from the 1980s, exhibition catalogue, Stuart Shave/Modern Art, London.
2016
Richard Milazzo, Skewed: Ruminations on the Writings and Works of Peter Halley, monograph / exhibition catalogue,
Galleria Mazzoli, Modena, Italy.
Max Hollein, The Schirn Ring: Peter Halley, exhibition catalogue, Schirn Kunsthalle Frankfurt, Germany.
Geometry of the Absurd: Recent Paintings by Peter Halley, exhibition catalogue, Santa Barbara Museum of Art, Santa Barbara, CA.
Peter Halley: Metallic Paintings, exhibition catalogue, Jablonka Maruani Mercier Gallery, Knokke, Belgium.
2015
Peter Halley, Gold, exhibition catalogue, Gary Tatintsian Gallery, Moscow.
Benjamin Colman, Peter Halley: Big Paintings, exhibition catalogue, Florence Griswold Museum, Old Lyme, CT.
2014
Martin S. Fischer, Barbara Happe, Steffen Siegel, et al., Peter Halley—Prisons, exhibition catalogue, Friedrich Schiller University, Jena, Germany.
Jo Melvin, Peter Halley Since 2000, exhibition catalogue, Musée d’Art Moderne Saint-Etienne Métropole and Maruani & Noirhomme Gallery, Saint-Priest-en-Jarez, France and Brussels, Belgium.
Peter Halley, exhibition catalogue, Galerie Forsblom, Helsinki.
2013
Richard Speer, Peter Halley, Alessandro Mendini, exhibition catalogue, Mary Boone Gallery, New York.
Klaus Steinmetz and Paolo Emilio Antognoli, Peter Halley: Recent Works, exhibition catalogue, Steinmetz Contemporary Art Gallery, San Jose, Costa Rica.
JoAnn Melvin, Peter Halley: Paintings 2012–2013, exhibition catalogue, Waddington Custot Galleries, London.
2012
Peter Halley: 8 Small Prisons and Other Works, exhibition catalogue, Galeria Senda, Barcelona.
2009
Peter Halley, exhibition catalogue, Galerie Alain Noirhomme, Brussels.
Peter Halley, exhibition catalogue, Galerie Forsblom, Helsinki.
2008
Wayne Koestenbaum and Luca M. Yenturi, Peter Halley, exhibition catalogue, BSI Bank Art Collection, Turin, Italy.
Demetrio Paparoni, Peter Halley: Works for Projects, exhibition catalogue, Galleria In Arco, Turin, Italy.
2007
Peter Halley, exhibition catalogue, Waddington Galleries, London.
Peter Halley: Paintings, exhibition catalogue, McClain Gallery, Houston, TX.
2006
Emmanuel Mavrommatis, Peter Halley, 1995–2005, exhibition catalogue, Galeri Xippas, Athens.
Peter Halley, exhibition catalogue, Galerie Forsblom, Helsinki.
V. Pazukov and Victoria Pukemova, Peter Halley, exhibition catalogue, Gary Tatintsian Gallery, Moscow.
2005
Robert Hobbs, Peter Halley: Present and Past, exhibition catalogue, Louisiana Art and Science Museum, Baton Rouge, LA.
Peter Halley, exhibition catalogue, CAIS Gallery, Seoul.
2003
Luca Beatrice, Peter Halley, exhibition catalogue, Galleria Cardi & Co., Milan.
2001
Elisabeth Rackham, Peter Halley: Paintings, exhibition catalogue, Waddington Galleries, London.
2000
Cory Reynolds, ed., Peter Halley: Maintain Speed (New York: Distributed Art Publishers, 2000).
1999
Tai-gun Yun and So-Young Lee, Peter Halley, exhibition catalogue, CAIS Gallery, Seoul.
Gerhard Finckh, Peter Halley: Bilder der 90er Jahre, exhibition catalogue, Museum Folkwang, Essen, Germany.
Wayne Koestenbaum, Peter Halley, exhibition catalogue, Waddington Galleries, London.
1998
Arturo Schwarz, Peter Halley: Utopia’s Diagrams, exhibition catalogue, Tema Celeste Editions and Gabrius Multimedia, Milan.
Midori Nishizawa, Peter Halley, Painting as Sociogram 1981–1997, exhibition catalogue, Kitakyushu Municipal Museum of Art, Kitakyushu, Japan.
1995
Lauri Thompson, Peter Halley: Drawings 1991–1995, exhibition catalogue, Greenberg Van Doren Gallery, New York.
1992
Peter Halley, exhibition catalogue, FAE Musée d’art contemporain, Pully-Lausanne, Switzerland.
Peter Halley, exhibition catalogue, Museo Nacional Reina Sofia, Madrid.
Michael I. Danoff, Peter Halley: Paintings 1989–1992, exhibition catalogue, Des Moines Art Center, Des Moines, IA.
1991
Peter Halley: Works from 1982–1991, exhibition catalogue (Bordeaux, France, CAPC Musée d'art contemporain)
1989
Peter Halley: Recent Paintings, exhibition catalogue, Krefelder Kunstmuseen (Krefeld, Germany: Museum Haus Esters)
GROUP EXHIBITION CATALOGUES & BOOKS
2019
Up for More: News from the Wurth Collection, exhibition catalogue, (Schwabisch Hall: Kunsthalle Würth, 2019), 8, 9, 35-51, 158.
Pièces-Meublés, exhibition catalogue, (Paris: Galerie Patrick Seguin, 2019), 43.
The Sonnabend Collection, exhibition catalogue, (Saskatoon: Remai Modern, 2019), 92.
Open Outcome – New Works from the Collection, (Ulm: Kunsthalle Weishaupt, 2019), 42-43, 139.
Paul Crowther. Genesis of Postmodern Art: Technology as Iconology, (New York, NY: Routledge, 2018), 34.
2018
Barbara Happe and Martin S. Fischer, The Auerbach House by Walter Gropius with Adolf Meyer, (Berlin: Druckhaus Gera GmbH), 120-121.
The ecolsion of abstraction: line and color in the IVAM collection, exhibition catalogue (Valencià: IVAM Institut Valencià d’Art Modern, 2017), 229
Vincent Bonin. Actors, Networks, Theories, exhibition catalogue, (Montréal: Black Dog Press, 2018), 119
Constructing a Collection, exhibition catalogue, (Rennes: Musée des Beaux-Arts, 2018)
Joe Lockard and Sherry Rankins-Robertson, Prison Pedagogies: Learning and Teaching with Imprisoned Writers, (Syracuse: Syracuse University Press, 2018), cover.
Vincent Bonin. Actors, Networks, Theories, exhibition catalogue, (Montréal: Black Dog Press, 2018): 119
Constructing a Collection, exhibition catalogue, (Rennes: Musée des Beaux-Arts, 2018)
Joe Lockard and Sherry Rankins-Robertson, Prison Pedagogies: Learning and Teaching with Imprisoned Writers, (Syracuse: Syracuse University Press, 2018): cover.
As Far as the Eye Can See, New Insight into the Würth Collection, exhibition catalogue (Künzelsau: Kunsthalle Würth, 2018), 28.
Mark W. Scala, Chaos and Awe Painting for the 21st Century, exhibition catalogue (Nashville: Frist Center for Visual Arts, 2018), 54.
Brand New: Art and Commodity in the 1980s, exhibition catalogue (Washington, D.C.: Hirshhorn Museum and Sculpture Garden, 2018), 40, 110, 111.
2017
Art and Space, exhibition catalogue (Bilbao: Guggenheim Bilbao, 2017), 89-91.
Pride of Place: The Making of Contemporary Art in New Orleans, exhibition catalogue (New Orleans: New Orleans Museum of Art, 2017), 51.
Oguz Erten, ed., Collecting Art in Turkey with Examples from Private Collections (Istanbul: Galeri Baraz Yayinlari, 2017).
Eric de Chassey, L'Abstraction avec ou sans raisons (Paris: Éditions Gallimard, 2017), 50.
Günther Selichar: Who’s Afraid of Blue, Red and Green? (Vienna: Verlag für moderne Kunst, 2017), 182.
Hu Hanru and Luigia Lonardelli, Please Come Back: The World as Prison?, exhibition catalogue, MAXXI, Rome (Milan: Mousse Publishing, 2017).
Fast Forward: Painting from the 1980’s, exhibition catalogue (New York: Whitney Museum of American Art, 2017).
2016
Lynn Boland, Paper in Profile: Mixografia and Taller de Gráfica Mexicana, exhibition catalogue (Athens, GA: Georgia Museum of Art, University of Georgia, 2016).
Summer Rental: The Marx Collection Sammlung Marx as a Guest in Breslau, exhibition catalogue (Berlin: Hamburger Bahnhof Museum, 2016).
Peter Halley and Pietro Roccasalva: The Awakening, exhibition catalogue, Mottahedan Projects (Dubai: Akkadia Press, 2016).
The Sonnabend Collection Part 1, exhibition catalogue (Porto, Portugal: Fundação de Serralves, 2016), 122, 123.
Martin Hentschel, The Adventure of our Collection. Art after 1945 from the Kunstmuseen Krefeld, exhibition catalogue (Cologne: Wienand, 2016), 270, 271.
2015
Barbara Bergmann, I like America, exhibition catalogue, Schauwerk Sindelfingen (New York; Bielefeld, Germany: DAP; Kerber, 2015), 57, 137.
Geometric Obsession: American School 1965–2015 (Buenos Aires: Museo de Arte Contemporáneo de Buenos Aires, 2015), 169, 217.
Enrique Juncosa, Three Narratives: Language, exhibition catalogue (Barcelona: Obra Social "la Caixa," 2015), 28–29.
Richard Milazzo, The Mannequin of History: Art After Fabrications of Critique and Culture, exhibition catalogue, Expo 2015, (Modena, Italy: Franco Cosimo Panini, 2015), 185–187.
Iwona Blazwick, ed., Adventures of the Black Square: Abstract Art and Society 1915–2015, exhibition catalogue, Whitechapel Gallery, London (London; Munich: Whitechapel Gallery; Prestel Verlag, 2015), 41, 270, 279.
2014
Marcus Graf, Papko Art Collection (Istanbul: Papko Art Collection, 2014).
Juan Roselione-Valadez, ed., Rubell Family Collection Highlights & Artists’ Writings, Volume 1 (Miami: Rubell Family Collection/Contemporary Arts Foundation, 2014), 120–121.
Cellblock I and Cellblock II, exhibition catalogue (New York: Andrea Rosen Gallery, 2014), 20, 23, 24, 29, 41, 48–49, 50, 66–67.
Amy Brandt, Interplay: Neoconceptual Art of the 1980s (Cambridge: MIT Press, 2014), 1–5, 7–8, 12–14, 18–22, 28, 30–33, 36, 145–146, 151, 153–161.
Kata Bodor, David Fehér, Katrin Heidt, et. al., Constructive/Concrete: International Artists in the Vass Collection, exhibition catalogue (Budapest: ART V. PREMIER, 2014), 150–153.
Brandon K. Ruud and Gregory Nosan, eds., Painting from the Collection of the Sheldon Museum of Art, (Lincoln and London: University of Nebraska Press, 2014), 228–229.
Marco Livingstone, ed., Post Pop: East Meets West, exhibition catalogue, Saatchi Gallery (London: CentreInvest UK Limited, 2014), 15, 60, 134–135.
Emma Dexter, Mark Prince, Pierre-Olivier Rollin, et.al., Man in the Mirror, exhibition catalogue, Vanhaerents Art Collection, Brussels (Tielt, Belgium: Lannoo Publishing. 2014), 68, 102–104, 111.
Robert Storr, et al., 30 Years, Cartier Foundation for Contemporary Art, Volume 2, Album (1984–2014), exhibition catalogue (Paris: Fondation Cartier pour l’art contemporain, 2014), 176, 183, 361–363.
Udo Kittelmann and Gabriele Knapstein, eds., Wall Works: Working with the Wall Since the 1960s, exhibition catalogue, Hamburger Bahnhof Museum für Gegenwart (Bielefeld, Germany: Kerber Verlag, 2014), 51–53, 132–133, 150.
Mario von Lüttichau, Asja Kaspers and Marcel Schumacher, eds., Museum Folkwang: Painting & Sculpture 19th–21st Century (Essen; Munich: Museum Folkwang; Sieveking Verlag, 2014), 281, 294.
2013
Sarah Trigg, Studio Life: Rituals, Collections, Tools, and Observations on the Artistic Process (New York: Princeton Architectural Press, 2013), 183.
Massimo Minini, 40 Years, (Brescia, Italy: Gallery Minini, 2013) 275, 276, 277-279.
Maria Lind, ed., Abstraction: Documents of Contemporary Art (London: Cambridge: Whitechapel Gallery; The MIT Press, 2013), 17–18, 54, 137–143, 146, 149.
Ann Fensterstock, Art on the Block: Tracking the New York Art World from SoHo to the Bowery, Bushwick and Beyond (New York: Palgrave Macmillan, 2013), 93, 114–115, 125.
Stuart Sim, Fifty Key Postmodern Thinkers (New York: Routledge, 2013), 13, 124–129, 196.
Yahși Baraz and Oğuz Erten, Artists, Gallerists, Collectors (Istanbul: Galeri Baraz, 2013), 44–47.
Giancarlo Politi, Prague Biennale 6 Prague Biennale Photo 3, exhibition catalogue (Milan: Giancarlo Politi Editore, 2013), 50–51.
Hélène Trespeuch, The abstract art crisis? Narratives and critic in France and the United States in the 1980s (Rennes, France: Presses Universitaires de Rennes, 2013).
Lea Rosson DeLong, ed.,Des Moines Art Center Collects (Des Moines, IA: Des Moines Art Center, 2013).
Giovanni Iovane, Negative Capability—Paintings (Milan: Silvana Editoriale, 2013).
Siegfried Weishaupt, American Idols: From Basquiat to Warhol, n. 8, exhibition catalogue (Ulm, Germany: Kunsthalle Weishaupt, 2013).
Joe Day, ed., Corrections & Collections: Architectures for Art and Crime (New York: Routledge, 2013), 19–22.
Karlyn De Jongh, Sarah Gold, et al, Personal Structures: Time Space Existence (Cologne, Germany: Global Art Affairs Foundation, 2013), 178–181.
Ingvild Goetz, Karsten Löckemann, et al, When Now is Minimal, The Unknown Side of the Goetz Collection, exhibition catalogue, Neues Museum, Nuremberg, Germany (Ostfildern, Germany: Hatje Cantz Verlag, 2013).
John Kenneth Galbraith and Nicole Salinger, Almost Everyone’s Guide to Economics (Paris: Éditions du Seuil, 2013), cover.
Painting Today, exhibition catalogue, Kunstmuseum Kloster Unser Lieben frauen Magdeburg (Berlin: Jovis Verlag, 2013), 54–65.
2012
Joe Houston, ed., Geometric Abstraction Since 1950: Global Exchange (Buenos Aires: MACBA Ediciones, 2012), 69, 188–189.
Timothée Chaillou, ed., Issue 5: Annual Magazine (Nicosia, Cyprus: A.P.C. Trading Ltd, 2012).
Louis Grachos and Claire Schneider, Extreme Abstraction: Revisited, exhibition catalogue (Buffalo, NY: Albright-Knox Gallery, 2012), 69.
James Rondeau and Sheena Wagstaff, Roy Lichtenstein: A Retrospective, exhibition catalogue (Chicago: Art Institute of Chicago, 2012), 81–82, 87.
Jorge Daniel Veneciano, The Geometric Unconscious: A Century of Abstraction (Lincoln, NE; London: University of Nebraska Press, 2012), 56–71.
Jeffrey Kastner, ed., Nature: Documents of Contemporary Art (Cambridge, MA: MIT Press, 2012).
Helen Anne Molesworth, Johanna Burton, and Claire Grace, This Will Have Been: Art, Love & Politics in the 1980s, exhibition catalogue (Chicago: Museum of Contemporary Art Chicago, 2012).
2011
Ken Johnson, Are You Experienced? (Munich; London; New York: Prestel Publishing, 2011), 154.
Mark Vanmoerkerke, Vanmoerkerke Collection (Brussels: Rispoli Books, 2011).
Gianni Mercurio, Surreal versus Surrealism in Contemporary Art, exhibition catalogue, Institut Valencià d’Art Moderne (Valencia, Spain: IVAM, 2011), 45, 141.
Karlyn De Jongh and Sarah Gold, Personal Structures, The Venice Biennale, exhibition catalogue (Bonn, Germany: Global Art Affairs Foundation, 2011), 42–47.
Richard Milazzo, Peter Nagy: Entertainment Erases History—Works 1982–1990, exhibition catalogue (Brooklyn, NY: EISBox Projects, 2011).
Fabrizio Luccio, Linda Pagli, and Graham Steel, Mathematical and Algorithmic Foundations of the Internet (Boca Raton, FL: CRC Press; Taylor & Francis Group, 2011), 35–36.
Consuelo Ciscar Casaban and Francisco Calvo Serraller, Masterpieces of Painting in the Collection of IVAM. Past, Present and Future, exhibition catalogue, Institut Valencià d’Art Moderne (Valencia, Spain: IVAM, 2011), 160–261.
George Melrod and Christopher Miles, Goldmine: Contemporary Works From The Collection Of Sirje And Michael Gold, exhibition catalogue (Long Beach, CA: University Art Museum, 2011), 69.
2010
Elyssa Dimant, Minimalism and Fashion: Reduction in the Postmodern Era (New York: Collins Design, 2010), 204–206.
Keith Mayerson, ed., NeoItegrity: Comics Edition, exhibition catalogue, Museum of Comic and Cartoon Art (New York: MoCCA, 2010), 8–23, 289, 703.
Schauwerk Sindelfingen: 100 artists—100 works—100 positions, collection catalogue (Cologne, Germany: DuMont Buchverlag; the Schaufler Foundation, 2010), 58–59.
Reinhard Onnasch, Susanne Lenze, and Susanne Jensen, El Sourdog Hex: Nineteen Artists, exhibition catalogue (Bielefeld, Germany: Kerber Verlag, 2010), 160–171.
Thomas Kellein, ed., The 80s Revisited: Collection Bischofberger, exhibition catalogue (Cologne, Germany: DuMont Buchverlag, 2010), 262–275.
Jorg Schellmann and Julienne Lorz, Forty Are Better Than One (Ostfildern, Germany: Hatje Cantz, 2010), 132–133, 378, 401.
Global New Art: Taguchi Art Collection #01 (Tokyo: Bijutsu Shuppan-Sha Co., 2010), 47–48.
David Rubin, Robert C. Morgan, and Daniel Pinchbeck, Psychedelic: Optical and Visionary Art since the 1960s, exhibition catalogue (San Antonio; Boston: San Antonio Museum of Art; MIT Press, 2010), 25, 45, 74.
2009
Karlyn De Jongh, Personal Structures: Time Space Existence (Cologne, Germany: DuMont Buchverlag, 2009), 276–281.
Paul Ardenne, The Present: The Work of Art at the Turn of the 21st Century (Paris: Edition Du Regard, 2009), 168.
Christian Bjone, Art and Architecture (Basel; Boston; Berlin: Birkhauser Verlag AG, 2009), 172.
Marco Meneguzzo, The 80’s: An Italian Perspective, exhibition catalogue (Milan: Silvana Editoriale, 2009), 188–189.
Charlotte Bonham-Carter and David Hodge, The Contemporary Art Book (London: Carlton Books, 2009), 97.
Christian Rattemeyer, The Judith Rothschild Foundation Contemporary Drawings Collection, catalogue raisonné (New York: The Museum of Modern Art, 2009), 138.
Tony Godfrey, Painting Today (New York: Phaidon, 2009).
Louis Negre and Sean J. Rose, When the First Intoxication of Loud Success…, exhibition catalogue (Bordeaux, France: CAPC Museum of Contemporary Art, 2009), 27.
Yves Aupetitallot, Images and (Re)presentations: The Eighties, Second Part, exhibition catalogue, Le Magasin (Grenoble, France: National Center of Contemporary Art, 2009).
Katherine Hinds, Kertess Klaus, Martin Margulies and Peter Plagens, The Martin Z. Margulies Collection: Painting and Sculpture (Miami, FL: The Martin Z. Margulies Foundation, 2009).
2008
Rifat Sahiner, Post-Modern Ruptures in Art: The Deconstruction of the Modern (Istanbul: Yeni İnsan Publishing, 2008), 163–165, 185–186.
Reset: Works from the Marx Collection, exhibition catalogue (Berlin: Hamburger Bahnhof Museum für Gegenwart, 2008), 46.
Ruth Fine, Fifty Works for Fifty States: The Dorothy and Herbert Vogel Collection, exhibition catalogue (Washington D.C.: The National Gallery of Art, 2008), 188.
Gianni Mercurio, The Big Bang, exhibition catalogue (Rome: Museo Carlo Bilotti, 2008), 72–83.
“Contemporary Art,” The Columbia Encyclopedia, Sixth Edition (New York: Columbia University Press, 2008).
Georg Frei, Abstract Vision, exhibition catalogue (Zurich: Thomas Ammann Fine Art AG, 2008), 16–17.
Mike Evans, Defining Moments in Art: Over a Century of the Greatest Artists, Exhibitions, People, Artworks and Events that Rocked the World (London: Cassell Illustrated, 2008), 686.
2007
Twenty Years with Friends: 1987–2007, exhibition catalogue (Turin: Galleria In Arco, 2007).
27th Biennial of Graphic Arts, exhibition catalogue, International Centre of Graphic Arts (Ljubljana: Mednarodni grafični likovni center, 2007), 168–171.
Create Your Own Museum, exhibition catalogue (Moscow: Gary Tatintsian Gallery, 2007), 91–94.
Passion for Art: 35th Anniversary of the Essl Museum Collection, exhibition catalogue (Vienna: Edition Sammlung Essl, 2007), 201.
Joe Houston and Dave Hickey, Optic Nerve: Perceptual Art of the 1960s, exhibition catalogue, Columbus Museum of Art (London: Merrell Publishers, 2007).
Christophe Cherix and John Tremblay, Plastic: A Proposal of John Tremblay, exhibition catalogue, Musée d’Art et d’Histoire (Geneva: Cabinet des Estampes, 2007), 6, 8–11.
Renate Wiehager and Claudia Seidel, Minimalism and After: Tradition and Tendencies of Minimalism from 1950 to the Present, exhibition catalogue (Ostfildern, Germany: Hatje Cantz Verlag, 2007), 289–290.
Susanna Luoto, ed., Galerie Forsblom: Since 1977 (Helskinki: Galerie Forsblom, 2007), 5, 81, 142–143.
Jeane Freifrau Von Oppenheim, ed., Sal. Oppenheim: 10 Years Collection (Luxembourg: Sal. Oppenheim Jr. & Cie. Luxembourg S.A., 2007), 226.
Masterpieces, CAPC Bordeaux Museum of Contemporary Art (Bordeaux, France: CAPC Musée d'art Contemporain de Bordeaux, 2007), 144–145.
Rebecca Roberts, MoMA: Highlights since 1980 (New York: The Museum of Modern Art, 2007), 152.
Ali Gureli, Contemporary Istanbul, catalogue (Istanbul: Contemporary Istanbul Art Fair, 2007).
David Campbell and Mark Durden, Variable Capital (Liverpool, UK: Liverpool University Press, 2007).
2006
Jo-Anne Birnie Danziger, ed., Villa Stuck (Ostfildern, Germany: Hatje Cantz Verlag, 2006), 366.
Ideas in Painting: Hommage to Martin Barre, exhibition catalogue (Paris: Galerie Nathalie Obadia, 2006), 32–33.
Pop Art 1960s–2000s: From Lichtenstein, Warhol to the Current Generation, exhibition catalogue (Tokyo: Yomiuri Shimbun and Japan Association of Art Museums, 2006), 46–47.
Ruth Erickson, ed., 30 Years of New Graphics From The Jewish Museum, exhibition catalogue, Firehouse Gallery and Burlington City Arts (Burlington, VT: Burlington City Arts, 2006), 50–51.
Mark A. Cheetham, Abstract Art Against Autonomy: Infection, Resistance, and Cure Since the 60s (New York: Cambridge University Press, 2006).
2005
Nobyuki Hiromoto and Azumi Akai, eds., Contemporary Voices: Contemporary Art from Misumi Collection (Tottori, Japan: Tottori Prefectural Museum and Japan Association of Art Museums, 2005), 48–49.
Francesca Richer and Matthew Rozenzweig, eds., No. 1: First Works by 362 Artists (New York: Distributed Art Publishers, 2005), 143.
Louis Grachos and Claire Schneider, Extreme Abstraction, exhibition catalogue (Buffalo, NY: Albright-Knox Art Gallery, 2005).
Marc Glimcher, Bernice Rose, et al, Logical Conclusions: 40 Years of Rule-Based Art, exhibition catalogue (New York: Pace Wildenstein, 2005), 112–113.
Johannes Meinhardt, ed., Painting: Abstraction After Abstraction (Lisbon, Portugal: Coleção de Arte Contemporanea Publico, 2005), 103, 132–133.
Vicky Perry, Abstract Painting: Concepts and Techniques (New York: Watson Guptill, 2005).
Tilman Baumgärtel, Net.Art.2.0: New Materials Towards Art (Nuremberg, Germany: Verlag für Moderne Kunst, 2005).
David Moos, ed., The Shape of Colour: Excursions in Colour Field Art 1950–2005, exhibition catalogue (Toronto: Art Gallery of Toronto, 2005).
Philipp Kaiser, Flashback: Revisiting the Art of the 80’s, exhibition catalogue (Ostfildern-Ruit; Basel: Hatje Cantz; Kunstmuseum Basel, Museum für Gegenwartskunst, 2005).
2004
Dan Cameron, Liza Kirwin, Alan W. Moore, East Village USA, exhibition catalogue (New York: New Museum of Contemporary Art, 2004), 143.
Mary Anne Redding, Visions of America: American Art and Identity, exhibition catalogue (Vienna: Sammlung Essl Museum, 2004), 141, 255.
Judith Richards, ed., Inside the Studio: Two Decades of Talks with Artists in New York (New York: Independent Curators International, 2004), 30–33.
Nancy Spector and Lisa Dennison, Singular Forms (Sometimes Repeated): Art from 1951 to the Present, exhibition catalogue (New York: Solomon R. Guggenheim Museum, 2004).
Starr Figura, Artists and Prints: Masterworks from the Museum of Modern Art (New York: The Museum of Modern Art, 2004).
Jeffrey Deitch, ed., Monument to Now: The Dakis Joannou Collection, exhibition catalogue (Athens: DESTE Foundation for Contemporary Art, 2004).
2003
David Joselit, American Art Since 1945 (New York: Thames and Hudson, 2003), 200–202.
Georges Armaos, Postimpact = Homadikē apostolē (Athens: Portalakis Collection, 2003), 33–40.
Alison Pearlman, Unpackaging Art of the 1980s (Chicago: University of Chicago Press, 2003).
2002
Adam D. Weinberg, Treasures of the Addison Gallery of American Art (New York: Abbeville Press, 2002), 251.
Midori Matsui, Art in a New World (Tokyo: Asahishuppansha, 2002).
Barry Schwabsky, Vitamin P: New Perspectives in Painting (New York: Phaidon Press, 2002).
Demetrio Paparoni, “Art, Space, and its Repetition,” Lucio Fontana, exhibition catalogue, Galleria In Arco
(Turin: Galleria in Arco, 2002).
Misumi Shōji, Nobuyuki Hiromoto, et al, We love painting!: Contemporary American Art from the Misumi Collection, exhibition catalogue (Tokyo: Misumi, 2002).
2001
Sheila Schwartz, American Visionaries: Selections from the Whitney Museum of American Art, exhibition catalogue (New York: Whitney Museum of American Art, 2001), 127.
Tilman Baumgartel, NET.Art 2.0: New Materials Towards Net Art (Nuremburg, Germany: Verlag für Moderne Kunst, 2001).
Amy Cappellazzo, Jessica Hough, et al, Glee: Painting Now (Ridgefield, CT: Aldrich Museum of Contemporary Art, 2001).
Bonnie Clearwater, Mythic Proportions: Painting in the 1980s, exhibition catalogue (North Miami, FL: Museum of Contemporary Art, 2001).
2000
Alfred Nemeczek, The Picture of Art (Hamburg, Germany: Verlag Gruner + Jahr, 2000).
Matthew Collings, This is Modern Art (New York: Watson-Guptill Publications, 2000).
1999
David Rimanelli; Jörg Schellmann, et al, Wall Works, exhibition catalogue (Munich: Edition Schellmann, 1999).
Matthew Collings, “Life of Riley: Peter Halley,” It Hurts: New York Art from Warhol to Now (London: 21 Publishing, 1999).
Alfred Nemeczek, Das Bild der Kunst: 20 Jahre Art das Kunstmagazin (Cologne, Germany: DuMont Buchverlag, 1999).
1998
Charles Riley, The Saints of Modern Art: The Ascetic Ideal in Contemporary Painting, Sculpture, Architecture, Music, Dance, Literature, and Philosophy (Hanover, NH: University Press of New England, 1998).
Maria de Corral, Anos 80 = The Eighties, exhibition catalogue (Lisbon, Portugal: Culturgest, 1998).
1997
Demetrio Paparoni, Theory and its Double, exhibition catalogue (Brescia, Italy: Galleria Massimo Minini, 1997).
1996
Hal Foster, The Return of the Real (Cambridge, MA: MIT Press, 1996).
Susan C. Faxon, Avis Berman, and Jock Reynolds, Addison Gallery of American Art: 65 Years: A Selective Catalogue, exhibition catalogue (Andover, MA: Addison Gallery of American Art, 1996).
Irving Sandler, Art of the Postmodern Era: From the Late 1960s to the Early 1990s (New York: Harper Collins, 1996).
1995
Charles A. Riley, Color Codes: Modern Theories of Color in Philosophy, Painting and Architecture, Literature, Music, and Psychology (Hanover, NH: University Press of New England, 1996), 193–195.
Carlos Basualdo, American Non-Representative Painting, exhibition catalogue, Museo de Arte y Diseño Contemporaneo (San Jose, Costa Rica: Museo de Arte y Diseño Contemporaneo, 1995).
1992
Tricia Collins and Richard Milazzo, Who’s Afraid of Duchamp, Minimalism, and Passport Photography?, exhibition catalogue
(New York: Annina Nosei Gallery, 1992).
1991
Tricia Collins and Richard Milazzo, Who Framed Modern Art or the Quantitative Life of Roger Rabbit, exhibition catalogue (New York: Sidney Janis Gallery, 1991).
Jock Reynolds, American Abstraction at the Addison, exhibition catalogue (Andover, MA: Addison Gallery of American Art, 1991).
Selection, exhibition catalogue (Pully/Lausanne, Switzerland: FAE Musee d’art contemporain, 1991).
Richard Armstrong, 1991 Biennial Exhibition (New York: Whitney Museum of American Art, 1991).
1990
Edward Lucie-Smith, Art in the Eighties (New York: Phaidon Press, 1990).
Giancarlo Politi and Helena Kontova, eds., Flash Art: Two Decades of History, XXI Years (Cambridge, MA: MIT Press, 1990), 178.
Yves J. Hayat and Florette Camard, Art Collectors, Volume 2 (Paris: Editions Numero 5, 1990), 206–219.
Eleanor Heartney, Judith Russi Kirshner, et al, The Refco Collection (Chicago: Refco Group, 1990), 70–71.
Anna Moszynska, Abstract Art (World of Art) (London: Thames and Hudson, 1990), cover, 6, 227–228.
1989
Bernhard Bürgi, 256 Colors & Basics on Form (Zurich: Konstruktive und Konkrete Kunst Zurich, 1989), 25–26.
10 + 10: Contemporary Soviet and American Painters, exhibition catalogue, Modern Art Museum of Fort Worth (New York: Harry N. Abrams, 1989).
Christian Leigh, ed., The Silent Baroque, exhibition catalogue (Salzburg, Austria: Thaddeus Ropac, 1989).
1988
Tricia Collins and Richard Milazzo, “Terminal Access,” in Art at the End of the Social, exhibition catalogue (Malmö, Sweden: The Rooseum, 1988).
Maurice Besset, La Couleur Seule: L’Experience du monochrome, exhibition catalogue (Lyon: Octobre des arts, 1988).
John Caldwell, Sarah McFadden, and Joan Simon, Carnegie International, exhibition catalogue (Pittsburgh, PA: Carnegie Museum of Art, 1988).
Jeanne Siegel, Art Talk: The Early 80s (New York: Da Capo Press, 1988).
Trevor Fairbrother, BiNational: American Art of the Late 80s, German Art of the Late 80s, exhibition catalogue, Museum of Fine Arts, Boston, Institute of Contemporary Art, Boston (Cologne, Germany: DuMont, 1988), 95–101.
Rainer Crone, Similar/Dissimilar, exhibition catalogue, Columbia University, Sonnabend Gallery, and Leo Castelli Gallery,
New York; Staedtische Kunsthalle Dusseldorf, Germany (New York, Rizzoli, 1988).
1987
Tricia Collins and Richard Milazzo, Extreme Order: Cemin, Gober, Halley, Lemieux, Steinbach, exhibition catalogue (Naples: Lia Rumma Gallery, 1987).
New York Now, exhibition catalogue (Jerusalem: Israel Museum, 1987).
Richard Armstrong, 1987 Biennial Exhibition, exhibition catalogue (New York: Whitney Museum of American Art in association with W.W. Norton, 1987).
Michael Auping, Abstraction, Geometry, Painting: Selected Geometric Abstract Painting in America Since 1945, exhibition catalogue (New York: H.N. Abrams; Albright-Knox Art Gallery, 1987).
Dan Cameron, NY Art Now: The Saatchi Collection, exhibition catalogue, Saatchi Gallery, London (Milan: Politi, 1987).
1986
Yve-Alain Bois, Endgame: Reference and Simulation in Recent Painting and Sculpture, exhibition catalogue (Boston: Institute of Contemporary Art, 1986).
Gabriele Guercio, Rooted Rhetoric: A tradition of Art in America, exhibition catalogue, Castel Dell'Ovo, Naples, Italy (Naples: Guida, 1986).
Jerry Saltz, Roberta Smith, and Peter Halley, Beyond Boundaries: New York's New Art (New York: A. van der Marck Editions, 1986).
1985
Alan Belcher, Infotainment, exhibition catalogue, Rhona Hoffman Gallery, Chicago, Texas Gallery, Houston (New York: J. Berg Press, 1985).
David Joselit, Currents: Peter Halley, exhibition brochure (Boston: Institute of Contemporary Art, 1985).
1983
Christopher C. Cook and Kyra Montagu, Tradition, Transition, New Vision: An Exhibition of Painting, Sculpture, Drawing, Film, Photography and Video by 38 Artists Who Are Alumni/ae of Abbot and Phillips Academy 1954–1974, exhibition catalogue (Andover, MA: Addison Gallery of American Art, 1983).